When to Use a Transition, and When to Just Cut
Most videos have transitions in the wrong places. A simple rule about what a transition means, and the three cases where a plain cut is always better.
30 stories
Most videos have transitions in the wrong places. A simple rule about what a transition means, and the three cases where a plain cut is always better.
The container is not the codec, which is why the same video can be both. What each format is for, and the two cases where the choice genuinely matters.
Voice changers for narration, anonymity and comedy: what each of the sixteen actually does to the signal, and which ones survive a phone speaker.
Cutting on the beat is what makes a montage feel edited. How beat detection works, which drum to follow, and why the cut lands slightly early.
InShot is cheap and capable, and its free tier marks your exports. Here is how an on-device editor compares on watermarks, price and what runs offline.
Tutorial viewers cannot see your keyboard. How to put the shortcut on screen as a key cap, where to place it, and when a caption is better.
Text Behind Subject puts a title between the background and you, so you walk in front of your own words. How it works, and when it stops working.
Split screen for reactions, before-and-afters and two-camera takes: how to build one, which orientation to use, and how to handle two audio tracks.
Put a second video over the first: sizing, placing, cropping and the audio setting most people miss. Includes the round webcam bubble treatment.
A speed ramp glides between two speeds instead of cutting between them. The five shapes, where each one belongs, and what happens to your audio.
Room noise, a thin low end and harsh S sounds are three separate problems. Which order to fix them in, and what the five voice tones actually change.
CapCut is free until it is not, and it uploads. Here is what an on-device iPhone editor does differently, where CapCut still wins, and how to choose.
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